London based Sound Recordist & Production Sound Mixer


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A location sound recordist, production sound mixer and audio mixer with many years of experience in the sound recording and mixing industry. Based in London, UK with a highly personable and organised attitude. Possesses a broad range of skills in the TV production / Film, commercial, corporate, broadcasting, event, and audio visual sphere. A sound mixer in London, UK with fast array of experience and knowlage.

Extensive knowledge of workflows in all areas of production sound; TV, film, commercial, corporate, documentary, 360, VR, Binaural and branded content. Based in London, United Kingdom and happy to travel anywhere! Many hours of on-set experience working with every type of client. Someone you can trust to work harmoniously with any crew, whatever the shoot. Holds clean UK car and motorbike licences. UK passport holder, DBS / CRB checked, friendly, professional, hard-working and a can-do attitude. Getting the job done to the highest quality is the name of the game.

Worked alongside some A-list talent & directors/producers such as: Ed Sheeran, Stormzy, Richard E Grant, Jonathan Ross, Robbie Williams, Celia Imerie, Dame Diana Rigg, Sanjeev Bhaskar, Sir Ian Mckellen, Hugh Jackman, Robbie Williams, James Blunt, Gary Lineker, Guy Ritchie, Jamie Oliver, The Christley’s, Nick Ferrari, Elkhart Tolle, Dexter Fletcher to name a few!

Major commercial and corperate clients as a sound recordist / mixer including; BBC, Disney, Nike, USA, Bravo, VICE, France 5, Toyota, ITV, Google, USA Network, Microsoft, Sony, RTE, Neilson, Christies, Deutsche Bank, SYCO Music, Grand Public, Hyundai, LBC, Amey, DNA Films.

  • – Fully Licensed through PMSE – Ofcom to use CH38 for my wireless radio microphones
  • – I-Visa (Forigen Media) USA approved for 5 Years (2022)
  • – Full UK Driving licence and motorcycle licence & advanced IAM motorcyclist / driver
  • – Specialist 4×4 Driving skills for extreme environments
  • – DBS / CRB certification for working with children / minors
  • – Member of the Association of Motion Picture Sound: A.M.P.S. – A highly respected guild of professionals.
  • – Member of Broadcasting, Entertainment, Cinematograph and Theatre Union: BECTU
  • – Specialist skills and experience in 360 / VR and Binaural Shoots
  • – Specialist mountain training, and a life long skier and snowboarder for mountain shoots

Find me on: Facebook & Twitter

Jono Cary Sound Mixer / Sound Recordist LOGOS

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Navigate to » AboutPicturesKit ListShowreelRecent Credits

Grand Prix Driver – Amazon Prime – TV Doc

TV BBC3 – Sound Recordist

TV – ITV – Sound Recordist

Don’t Tell The Bride – E4 – TV

TV – Sound Recordist

Commercial – Production Sound Mixer

TV Documentary – Sound Recordist

Commercial – Sound Recordist

TV – Production Sound Mixer

Commercial – Sound Recordist

Commercial – Sound Recordist

TV Reality – Sound Recordist

TV – Sound Recordist

Online Content – Sound Recordist

Commercial – Sound Recordist

Commercial – Sound Recordist

Feature Doc – Sound Recordist

Commercial – Sound Recordist

Branded Content – Sound Recordist

Feature Film – Production Sound Mixer

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Kit List

Navigate to » AboutKit ListPicturesShowreelRecent Credits

Download: Jono Cary – Sound Recordist CV.pdf
Whether it’s a small Portable Single Camera (PSC) Doc or corporate job, a large scale multi-camera reality TV job, A full scale commercial or Drama or something more specialist like a music recording, VR / 360 sound capture or extreme conditions recording kit choices for sound department are important! Below is a list of the core kit, additional items can be sub-hired for specialist jobs. A few major considerations when hiring sound kit is having sound back-ups, timecode sync and IFB / wireless headsets.

Sound Back-up / Camera Link
Having sound backed up (recording in more than one place) it is always recommended, this is achieved by having it recorded in the sound bag and on the camera and this can be done using a stereo wireless hop (see below) which is dedicated transmitter in the sound bag going to a dedicated 2 channel receiver mounted and powered from a V-Lock plate on camera. A cheaper option for getting audio onto camera for playback and first edits (but not for final mix) is a mono ‘scratch’ hop.

Timecode Sync
Timecode is a seriously time saving tool for post-production workflow. Having the camera’s TC and sound recorders TC synced means that in post the sound files and video files drop seamlessly together and sync is done for you. TC sync is achieved by using TC lockit boxes that are synced with the sound bag (the master) on TOD (Time Of Day) timecode and then feed the camera with the exact same timecode accurate to within a 1/4 of a single frame over 24 hours. The boxes are very small and self powered and will save much more time in post than they cost to hire per day on set! In addition, both as a backup and to aid cameras without TC sync a ‘timecode clapper board’ or ‘smart slate’ can be hired (see below) which gives a visual readout of the timecode and the age-old traditional ‘sticks’ snapping for the audio/visual sync point.

IFB / Wireless / Client Headsets
IFB or Interruptible fold-back receivers are essentially wireless receivers with headphones that can be hired (see below) for listening into the sound mix on set. Several different mixes can be sent out e.g. Just lav mics, or just boom or overall mix. Giving Director, client, producer, script supervisors or anyone else a listen into the audio being captured on set.

Sound Recorders / Mixers


Wireless Radio Microphones / Lavaliers / IFB

  • 6 x Wisycom MTP40S Transmitters
  • 3 x Wisycom MCR42 Dual Channel wideband Receiver
  • 6 x Sennheiser IFB Receivers (For Director/Script/Client Headsets) with Sennheiser PX-30 Headphones
  • RF Distribution and Shark fin antennas for long range wireless connectivity
  • Zaxcom Stereo Camera Hop RX900 and TRX900AA with backup record on V-Lock Mounting Kit

Timecode & Sync

  • Timecode connection cables for RED, Arri, Sony, Canon, Blackmagic, Panasonic, Denecke etc.
  • 4 x Timecode Systems USO ‘Lockit’ Sync boxes to sync camera and sound – Frame perfectly
  • 1 x Denecke Digislate / TC Clapperboard Slate TS-1



  • 2 X Mackie SRM 450 PA Speakers for playback
  • Car-to-Car Rig including magnetic whip aerials and shark fin aerials for long range monitoring on a follow vehicle
  • Apple MacBook Pro Retina 15” 2.7GHz i7, 16GB RRAM, 1TB Flash Drive (with 4 x 2 TB Lacie External Drives)
  • Apogee Duet 196/24 bit SoundCard / Pre Amp
  • Many C-stands, clamps, tapes and audio-grip accessories

sound mixer kit, 664, 633, sound devices, lectrosonics, mkh-50, cmit
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